Well, I've very pleased to announce my very first blogged Chapter Review. These are my thoughts and they may differ from yours. I haven't been harsh ( I hope anyway) but I have been truthful. Please, give your thoughts on both the review and the chapter. However, do not attack the writer or your comment will be deleted.
What did I like?
Let’s start with the book title: loved it! Dead Politician Society is obviously based on a movie title but it caught my attention enough that I may buy the book in a bookstore because of it.Also, you use a lot of showing and not telling. That’s wonderful.
Also, I like the premise of the book. I love reading about undercover assignments and I love main characters that are female.
Another thing I liked about the chapter is that you could have added backstory and lots of description but you didn’t. Because you were in a coffee shop, we didn’t need much description. Most people know what a coffee shop looks like. And, the first chapter or second chapter is not the place to add large chunks of backstory.
Does the chapter end in a way that we want to keep turning the page? For me, yes. I want to find out what happens at the university. We know it’s going to get better and more exciting from here.
Does your POV (Point of View) switch in a way that the reader is confused? You’re in Clare’s POV and you remain consistent throughout the chapter. That’s great!
Problem areas:
I noticed two issues with the chapter… I think you’re not going to be able to fix the book if it’s going for publication in 12 days but I will give my thoughts anyways. It can’t hurt. You can use my opinions for your next book.(1) You’ve said that this is your first chapter so I’m going to give you my thoughts accordingly. I wouldn’t start here. If I have this right, Clare is a police officer being given an undercover assignment – she’s to attend university and find the person responsible for killing the mayor? The information in this chapter is needed; however, I wouldn’t put it in the first chapter. This would make a better chapter two. My suggestion: You state that the mayor was murdered at the Working Child Benefit, could we see the murder happen? I would find it intriguing to see him go down in his own vomit.
(2) The second issue is with your main character. I would say be careful with your character in one aspect. She can’t appear too naive or dumb. For example, undercover work is a very difficult assignment that can put a detective’s life at risk, so when she asks “Is that more like politics or science?” I begin to worry about her intelligence. Perhaps you can have her state the question just to annoy Cloutier but let the reader know she knew what it meant. I love detective stories with humor but you want to make sure the realism is there as well. Three months as an officer is very little time so, to build the readers trust, you want to make sure that the reason she was pick for this assignment is well warranted.
Clare Vengel tossed a leg over her Triumph and kicked it into gear. The sun was shining, the mayor was dead, and Cloutier wanted to meet with her. (I actually liked this sentence the best. I would make it sentence number one. The sentence grabs our attention because it says the sun’s shining and then, bam, hits us with “the mayor was dead”. What!? See, it catches us off guard – great!) As she sped along Dundas Street, weaving a bit too quickly through traffic, visions of her first undercover assignment played in her head. (Is what we read of from this point visions of her first undercover assignment or does your character just think of the past until she arrives at Dundas and Dupont? Not clear enough for me.)
At Dundas and Dupont, she found the agreed-upon donut shop. Sergeant Cloutier was already seated with two enormous coffees. (Oh… coffee. *drool*)
“So.” Clare flashed her brightest smile. “Who am I?” She slid into the cushioned booth, and set her helmet on the seat beside her.
Cloutier opened a bag and pulled out a dutchie. “I’m not pleased to be using you.”
“Okay.” That was fair. She was as green as they came. Clare determined to please him with results.
“We need someone who looks young. We also need someone with field experience. Apparently in this enlightened age it’s the packaging that counts.”
Clare sipped her coffee. What was she supposed to say?
Cloutier nodded to some sugar packets in the center of the table. “You’re not gonna use those?”
Clare wrinkled her nose. “No, thanks.”
Cloutier took one and added it to his own coffee.
“You’re going back to school.” He slid a plain white envelope across the table. “You’re a third-year political science student.”
“Political science?” Clare opened the envelope and discreetly observed a student card, driver’s license, and other documents that identified her as Clare Simpson. “Is that more like politics or science?”
Cloutier shook his head irritably. “Politics.”
“Oh.” Clare would have preferred science.
“You think you can get up to speed fast enough?”
“Of course.” She’d stay awake all night if she had to. (Do you really feel one night of studying is equal to three years of political science studies? It shows the character’s is eager and willing but a little naïve.) “Is there a reason I’m only half undercover?”
“You’re keeping your first name to make things easier on you.”
“Thanks.” Clare wasn’t sure whether to feel protected or insulted. ( You might want to say something about this. Perhaps, “You’re trusting that I’ll pass as a third year political science student but you think I can’t remember two names?”)
“This isn’t a permanent transfer.” Cloutier broke a piece from his donut. “Screw this case up, and it’s back to the beat for a very long time.”
“Okay.” Again, fair. Most cops had to put in years in uniform before they’d be given an undercover assignment. She’d been on the force for three months. (She couldn’t have been the only one with a pretty face. I think the reader will want a better explanation as to why she was picked after such a short time on the force.) “How did the mayor die?”
“Do you live on this planet?”
Clare eyed Cloutier’s dutchie. She wished she had one of her own. Or something greasy, like bacon or sausage, to soak up her mild hangover. (Be careful about mentioning a hangover here. It really doesn’t add to the respect we should be giving the main character. We need to respect her to want to read a whole book with her as MC…)
“Hayden Pritchard died at last night’s Working Child Benefit. He collapsed in his own vomit. It was all over the news.”
“Oh.” Clare was supposed to feel ignorant because she didn’t spend her evenings glued to the local fucking news? Fine, maybe she felt a little bit ignorant, but she wasn’t going to show it.
“Just read this.” Cloutier passed a printed email across the stained Formica table.
Hayden Pritchard: July 27, 1954–September 6, 2010
We hereby launch our campaign to create a political utopia for the real world. Hayden Pritchard made a dramatic exit from life last night, facilitated by the poison we slipped him.
Pritchard became mayor thirteen years ago, at which point he began to skillfully destroy the city’s economy. He spent piles of money to cultivate all kinds of fringe votes, and when he went over budget, he simply raised taxes to compensate. Small business owners closed up shop or moved to the suburbs in response to punishing tax hikes, and Toronto was ranked the worst place in the western world to do business.
We might have been fine with this if that money had been used to save some wildlife or give scholarships to inner city kids, but as far as we can tell, society’s problems have remained intact.
Pritchard and his staffers are okay with all this; they’ve received a fifty percent pay raise.
With another election three long years away, we have decided to free taxpayers from Pritchard’s socialist nightmare.
You’re welcome.
This has been a message from the Society for Political Utopia.
Clare wasn’t sure why her fingers trembled as she handed the page back to Cloutier.
“This email was sent to Annabel Davis, the assistant obituary editor at the Star.”
“Obituaries?” Clare rolled her eyes upward, and saw that the drop ceiling was badly in need of repair. “I guess there isn’t a homicidal rants editor. Is the newspaper printing it?”
“Not for now.”
“Do we know who sent the email?”
“Yeah. That’s why we need the investigation.”
Clare wanted to groan, but reminded herself to stay positive.
“The source computer was wireless.” Cloutier took one of the unused creamers and added it to his coffee, not bothering to stir it in. “A laptop, or one of those fancy Internet phones. The address was nicknamed ‘Utopia Girl.’”
“I presume we know that the mayor actually died from poison.”
“You don’t need to do any presuming. We have detectives for that. But yes: the medical examiner found massive organ damage consistent with some common poisons. Pritchard’s genitals and urinary organs were congested with blood.” (That’s pretty quick for a post mortem to be done. The murder only happened last night.)
“You mean his cock was hard,” Clare said, then immediately felt morbid.
Cloutier looked Clare in the eye. “Pritchard’s death was painful and miserable.”
Of course it was — her comment had been callous and horrible. She tried another tack. “Had he recently started a new medication? Viagra maybe? If he was already on some other drug, for his heart or something, the two could have interacted badly.”
“Thanks for your medical opinion.”
Clare tried to take a sip of coffee, but ended up dribbling most of it down her chin and onto her favorite T-shirt.
“Your job is basic, Vengel: go in as a student, keep your eyes and ears open, and get in touch when you find something that might help us.”
“Okay.” Clare stroked her helmet, which sat beside her on the plastic bench. “How about an obvious question: Why do we think this ‘Utopia Girl’ is the killer? Doesn’t every nutcase and his brother pop out of the woodwork when a famous person dies?”
“The inspector obviously thinks there’s something to it.” (What does the inspector know? I think the reader should know a bit more here…)
Clare leaned forward. “Which inspector?”
“Detective Inspector Morton hand-picked you for this assignment.”
“Cool.” Clare liked Morton — and apparently he thought she was worth a chance. He had hardly been exuberant when she’d met him, but he at least hadn’t laughed her out of his office when she’d approached him about undercover work. “And — last question, I swear — what’s the connection to the university? Is that where the email was sent from?”
“Looks that way.” Cloutier ate the last of his donut and stuffed his crumpled napkin into the bag. “Your first class is at eleven a.m. if you can make it, but the course that most interests us is your two o’clock. It meets twice a week. Tuesday afternoons and Thursday mornings. It’s called Political Utopia for the Real World.”
Clare’s eyes scanned the obituary upside down. “Is it a large class?”
“Twenty students, plus you. Now go. You have pencils and notebooks to buy.”
“Can I invoice the station for them?”
“Of course. Just don’t buy anything fancy.”
“Do I look like I’d want something fancy?” Clare picked up her helmet.
“No, you don’t.” Cloutier smirked. “Have a good day at school.” (Personally, I would end it here. The last line does not add anything for me.)
Clare rode off into the morning.
13 comments:
Clarissa - You've given this a terrific read, I think. You've outlined some areas of strength, and areas that can be improved. You've also been supportive and helpful. What more could a writer want?
To the author: This has some real potential! I want to know what happens next!
I think your critique was fair. Even with the coffee drooling.
Clarissa, I love it!!! You have a serious eye for analysis, and I wish I'd met you when this book was still in the edit stage. I appreciate the positive sandwiching - makes the "meat" easy to digest.
You're right about both things: I can't change it for this edition (already printed), but I can learn from your comments going forward in the series.
I'm looking forward to checking out your chapters online.
And Margot - thanks!
I like the balance you have in your critiquing. You highlight the good and the areas that need fixing. And you added some personal touches as well eg "coffee *drool*. It's always nice to be able to get into a reader's head. Great job.
I'm glad you liked it, everyone. It's always hard on the first critique. I have to say that Robin was brave putting herself out there like that. Thank you, Robin.
In the future, I think I will try to ask the writer what she really wants me to focus on.
CD
Good job - both of you. This looks like a great read Robin and I love how kind and intelligent you've been with it, Clarissa. I like your last line above "I think I will try to ask the writer what she really wants me to focus on." In therapy we call that 'getting the contract' and I'm mad for it in every stage of critiquing. And if someone says 'oh whatever - just tell what you didn't like' I'll push them for more specifics.
I'm going to learn lots from watching this process!
Yay - brave writers, brave editors!Jan Morrison
Very nice - I'm glad I found this site.
Clarissa, your comments are right on the mark - and helpful not only to this particular writer, but to all of us who are struggling to get that all-important first chapter right.
And to you, Robin: good job. You've got me hooked.
Great review, and very helpful to both the author and writers everywhere and not just for a first chapter, but for all chapters.
Great review Clarissa. I liked the chapter as well. Keep up the good work :D
Jules @ Trying To Get Over The Rainbow
Jan, thanks. I really appreciate your comments. I know that more have signed up so obviously I've put them at ease. Now I can be harsh! Just joking.
Sandy, thanks. I will come by and check out your blog.
jacody, glad you liked it and I hope you found it useful.
Jules, thanks! Appreciate it.
CD
This was a really good critique here! I agree with all of your suggestions, particularly the ones on the first and last lines. It's important that a book/chapter/section starts and ends with a bang, even if it's a minor scene where "nothing really happens," because you want to A.) set a tone, and B.) create a strong enough impression that lasts with the reader.
Great review. I would agree with most of what you've said, although, I didn't get the impression that the MC was unintelligent or naive. I got more of an impression that she was being a pain in the ass. She's abrupt almost to the point of being rude, but I think that adds a lot to her character. I do agree that we might want to see the murder. Maybe a prologue. But I do think this is fine as a first chapter. A lot of the stuff that we need to know, can come out more subtly and maybe it does, in the next chapter.
I actually am not that keen on the title. Only because it's so close to the movie title as mentioned. But the story itself sounds very intriguing and I would totally read it. This is a very well written chapter. Good luck!!!!
Hey, thanks "other Robin" (and others)! With this book about to hit the real world shelves in 6 days, it's awesome for me to hear these early reactions. I love that it's in the form of a critique, because I like to hear honest evaluations, and this forum opens people up to share both positive and negative reactions in a supportive atmosphere.
Funny...At one point, a friend suggested a prologue, so I wrote one. I liked the prologue itself (it was the death from the POV of the dying mayor), but I wasn't sure if I wanted to start there or with Clare. Feedback I got was about 50% to keep it; 50% to scrap it. (My editor said scrap it, so I went with that.)
And the last line - I think I should have listened to a couple of people who suggested I kill it. If there's ever a 2nd printing, I will delete it.
I urge ALL of you to put some writing up for Clarissa's evaluation. She's only one person, and my guess is that soon she'll have more chapters than she knows what to do with!
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